Local event organizers navigate rising costs and red tape
Local event organizers share their struggles as costs and requirements accumulate.

Bankers Commons courtyard became a bustling hub for locals on the second Saturday of July, as neighbours browsed racks of vintage clothing, flipped through old records, and pushed strollers between tables of handmade art and jewelry.
Singer-songwriter Sarah van den Berg performed folk covers and original songs while Black Cat Tattoo artists offered flash designs, and I Love You, Mean It staff poured icy raspberry lemonade.
The July 11 market, organized by The Neighbourhood Vintage, coincided with a Peterborough Downtown Business Improvement Area (DBIA) sidewalk sale that closed a portion of George Street to vehicle traffic. Local DJs performed alongside vendor booths, children’s activities, and pop-up galleries.
The events offered a glimpse of how Peterborough’s downtown can look when organizers, businesses, and municipal services work together. Behind the excitement, however, local organizers say increasingly complicated applications, insurance requirements, and rising policing and road-closure costs can make bringing an event into a public space feel daunting.

During the market, Ryan McLean Purdon, founder of local dance music organization Otonabeats, sat at a patio table in the crowded courtyard to discuss his experiences planning events in the city.
“There’s very specific insurance requirements. There’s very specific site planning,” he said. “With any sort of event on city property, there’s so much red tape… the more work, time, effort, and energy you have to put in to even just make the thing happen, that stops people from doing anything at all.”
Purdon has largely avoided independently organizing events on municipal property. Instead, he works with established partners, including the DBIA, which can manage the administrative work while he concentrates on programming, or looks for less restrictive private properties. He has hosted dances, local DJ spotlights, and electronic music workshops at The Theatre on King, The El {P}, and Sadleir House, among other venues.
Peterborough’s special events online application form shows how quickly the requirements can accumulate. Each application must include proof of insurance and a detailed site plan. Depending on the event, organizers may also be required to submit parking and safety plans, scale drawings, participant waivers, building permits, vendor insurance, and approvals related to food preparation, alcohol, and fire safety.
Events on city property typically require $5 million in liability coverage. Organizers must name the city as an additional insured party and obtain insurance certificates from each participating organization and third-party vendor.

Tim Burke, who has organized the Peterborough St. Patrick’s Day Parade for more than two decades, told Peterborough Currents that a change to the city’s insurance requirements following the COVID-19 pandemic caused the parade’s premium to rise dramatically.
“The price of insurance had literally gone up by more than four times actually,” Burke said.
He learned about the change shortly before the 2022 parade and scrambled with his insurance broker to find adequate coverage. Local businesses ultimately helped cover the shortfall. The parade has grown considerably since returning, with Global News reporting that the 2026 event was the largest Irish celebration per capita in the country.
“I love Peterborough, man. We take care of each other,” Burke said.
He noted that along with insurance, event organizers are also responsible for policing and public works costs. According to the city’s application, signs for a full road closure can cost between $500 and $2,500. Public Works staff can place and remove barricades for $95 per hour, although organizers can avoid that fee by doing the work themselves.
To bear the rising costs of running the annual Peterborough Pride Parade and Pride in the Park celebration, Peterborough Pride has turned to partnerships and grants. Pride Committee member Rick Lambert said insurance for these events costs about $2,000, or approximately five per cent of its event budget. The required paid-duty police officers along the parade route cost roughly another $2,000.
The organization receives funding through Fierté Canada Pride to help pay for policing and security, while the DBIA assists with road-closure expenses and park permits.
“We all have to work together to find ways to make things happen,” Lambert said.
A change in the enforcement of policing requirements for beer gardens also led Pride to move its beverage tent from Millennium Park to a nearby private parking lot. Lambert said requiring two paid-duty officers at the small tent would have created both a financial challenge and discomfort for some marginalized queer community members.
Established organizations have often had time to adapt as requirements accumulated, Lambert said, but the process could be overwhelming for a smaller group. Events that feature unusual performances or temporary structures that may be unfamiliar to the city can also run into roadblocks in the application process.

Long-time arts organizer Bill Kimball has found private property owners eager to accommodate unusual performances, however. Public Energy Performing Arts has staged events at locations including Peterborough Square Mall, the former King George Public School, and The Mount Community Centre, often without paying rent.
Kimball, who serves as president of the Electric City Culture Council (EC3), said its Artsweek event insurance increased from approximately $1,800 before the pandemic to $3,300 afterward.
He shared that Artsweek encountered a permitting obstacle in 2025 while planning A Spider’s Tale, an outdoor circus performance involving a roughly six-metre rig beneath the Hunter Street bridge. City risk-management staff decided the rig could not be used on municipal property, despite documentation from EC3’s insurer.
Kimball acknowledged that organizers submitted the rig details after the city’s preferred deadline.
“The staff did all they could to accommodate the request,” he said.
The performance went ahead after the New Canadians Centre offered its private property, and delighted the all-ages audience with its expressive, gravity defying spectacle.
Other events have not survived their complications. As reported by KawarthaNOW, Transition Town Peterborough cancelled the planned 2022 return of the Purple Onion Festival because of “ongoing logistic issues” and last-minute demands from the city. The festival has not been held again.
Runner’s Life owner Dave Dame also had an event permit revoked shortly before his 2026 St. Patrick’s Day five-kilometre race over safety concerns related to its road route.
After organizing local races and triathlons for 23 years, Dame said communication with municipal decision-makers has become more difficult since the pandemic. He described repeatedly calling City Hall and visiting in person while trying to resolve time-sensitive permit problems.
“You literally can’t go into City Hall and talk to anyone,” Dame said. “There’s locked doors, there’s plexiglass. If you call the city, they are not open for business. You’ll get a voicemail… and they’ll never call you back.”
Dame said organizers were once able to speak directly with staff when problems arose. “Those days are gone. We do not have an accessible bureaucracy here.”
Peterborough Currents requested information from the City of Peterborough about staffing levels, communication with event organizers and changes to special-event requirements. The city did not provide a response before publication.
Despite their varied experiences, organizers offered similar advice for bringing new events to the city: begin planning months in advance, secure insurance early, and find experienced partners who can share the workload.
That work is rarely visible once the streets are filled with music and neighbours are laughing together in the sun. Behind each market, parade, or performance, organizers navigate an increasingly complex path to create the moments that make the city feel vibrant and connected.
